Fred Thomas studied piano and composition at the Royal Academy of Music and is one of London’s most sought after multi-instrumentalists and composer/arranger/producers. A member of the F-IRE Collective, he recently embarked on a quartet of J.S. Bach recordings to be released on ECM, The Silent Howl and Odradek Records. 2018 will see the release of his ECM debut: a trio with Aisha Orazbayeva and Lucy Railton that plays Thomas’s transcriptions of Bach’s Chorale Preludes, the scores of which are published by Edition Wilhelm Hansen.

Other projects include The Beguilers, a sextet that interprets Thomas’s song settings of poetry; his Polyphonic Jazz Band, a quintet with Martin Speake that explores improvised polyphony; an on-going recording of contemporary interpretations of the medieval Chantilly Codex; a duo with his violinist father Peter Thomas; and a Richard Wagner tribute band with jazz pianist Benoît Delbecq.

Fred Thomas has appeared or collaborated with a wide variety of artists, including Pierre-Laurent Aimard, Jordi Savall, Jarvis Cocker, Ethan Iverson, Elina Duni, Tamara Stefanovich, Leo Abrahams, Kit Downes, Lisa Knapp, Mor Karbasi, CBSO, Jason Yarde, Seb Rochford and Olivia Chaney, as well as record labels Harmonica Mundi and Realworld. He works regularly with the National Theatre and has toured worldwide with Filter Theatre and as musical director with Shakespeare’s Globe. He teaches at Trinity Laban and as a producer has recorded albums for many artists in Europe. His most recent compositions, for voice, string quartet and percussion, were commissioned by BitterSuite and Phaedra Ensemble and are being performed internationally and at the Royal Opera House, London.