“The familiar prelude to the G major Cello Suite sounding so, so right. Thomas gives the closing Gigue an irresistible swing and finds rare depth and expression in the Allemande. There’s similar magic in Suite No. 3, Bach’s slow Sarabande heart stopping, the double and triple stopping immaculate. You hope he’ll go off and record the remaining four. A multi tracked Thomas completes the album with three Fantasias for Two Viols by Orlando Gibbons, these beautiful, spare works played with elegance and warmth. Absolutely enchanting – do investigate.” – The Arts Desk

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