Kees Boeke and Fred Thomas play French and Italian medieval duos from the Modena & Squarcialupi Codices, as well as the music of Paolo da Firenze, Matteo da Perugia, Giovanni da Cascia, Ciconia, Francesco Landini, Lorenzo Masini and Guillaume de Machaut.

Kees Boeke – recorders
Fred Thomas – vielle

Kees Boeke is an internationally acclaimed artist in the field of early music, specialising in recorders and medieval fiddle both as a performer, teacher and director. He has recorded over 80 CDs with various labels including his own record label, Olive Music, founded in 2001. He has been published as a composer and editor of renaissance and medieval music (Zen-On, Schott, Donemus, Olive Music Editions).

His activities in the realm of medieval music began as a member of Kees Otten’s ensemble Syntagma Musicum in the mid 1970’s, continuing with the renowned ensembles Quadro Hotteterre (1968), Sour Cream (1972), and later Little Consort Amsterdam (1978) and Mala Punica (1989). In 2003 he founded his medieval ensemble Tetraktys.

Professor at the Institut fur Alte Music in Trossingen, Germany, Kees Boeke became Director of the Medieval/Renaissance program there. He was also professor at the Hochschule für Musik und Theater in Zurich for 25 years. Presently, he is in his seventh year as director of the medieval summer course Settimana musicale del Trecento in Arezzo, Italy. He regularly gives master classes all over the world including Amsterdam, The Hague, Tokyo, Seoul, Taiwan, Tel Aviv, Palermo and Innsbruck. Kees has lived in Toscana for over 40 years, where he makes organic olive oil. www.o-livemusic.com

Based between the UK and Italy, Fred Thomas is an ECM artist and one of London’s most sought after multi-instrumentalists and composer/arranger/producers, known for his breadth of musical styles as well as for specialising in creative re-interpretations of J.S. Bach. He has appeared all over the world, performing in venues such as the Berlin Philarmonic, Amsterdam Concertgebouw, Wiener Konzerthaus and Teatro Liceo. Described as “remarkable” and given 5 stars by International Piano Magazine, his debut on the ECM New Series label was ‘Three or One’, 24 pieces by Bach transcribed for trio and solo piano by Thomas himself, featuring Lucy Railton and Aisha Orazbayeva.

Of Italian, British and Argentinian background, Thomas has collaborated with a huge variety of artists including Brian Eno, Yo-Yo Ma, Pierre-Laurent Aimard, Jordi Savall, Rachel Podger, Meredith Monk, Jarvis Cocker, Abel Selaocoe, Lianne Le Havas, Elizabeth Kenny, Jill Feldman, Lucy Crowe, Ethan Iverson, Larry Grenadier, Benoît Delbecq, Tamara Stefanovich, Leo Abrahams, Dudu Kouate, Olivia Chaney and Kees Boeke. Thomas is published by Edition Wilhelm Hansen and has a discography of over fifty albums across various genres, including appearing on the ECM jazz label as pianist, drummer and viellist.

Described as “a revelation” by Apple Music and “mesmerising” by BBC Music Magazine, Fred Thomas started to play classical piano at the age of five, later studying jazz piano and composition at the Royal Academy of Music. He works regularly as Musical Director at Shakespeare’s Globe and teaches at the Royal Academy of Music, London. As a producer, Thomas has overseen albums for labels such as Warner Classics and his recent compositions were performed internationally and at the Royal Opera House.

South African cellist Abel Selaocoe is redefining the parameters of the cello. He moves seamlessly across a plethora of genres and styles, from collaborations with world musicians and beatboxers, to concerto performances and solo classical recitals. 

Fred Thomas and Abel Selaocoe have been collaborating since 2021, when they recorded the album Where is Home? (Hae Ke Kae) for Warner Classics. Fred Thomas produced and played multiple instruments on this internationally acclaimed album, which featured Yo-Yo Ma and won Songlines Magazine best album of 2022. In a quartet with Dudu Kouate and Alan Keary, Thomas and Selaocoe have toured Europe’s most prestigious concert halls, including the Berlin Philarmonie, Köhlner Philarmonie, Queen Elizabeth Hall and Amsterdam Concertgebouw, as well as appearing on Later with Jools Holland.

Abel Selaocoe is an exclusive recording artist with Warner Classics and his debut album Where is Home? (Hae Ke Kae) was released on Friday 23 September 2022.

 

 

 

 

Fred Thomas & Phaedra Ensemble have been collaborating for the past six years. Thomas’ composition ‘Taking a Nap, I Pound the Rice’, for string quartet, percussion, prepared piano and spoken voice, was recorded and released by Phaedra in 2022.

The EP features Phaedra Ensemble string quartet, Maurizio Ravalico (percussion), Jill Feldman (voice) and Fred Thomas on prepared piano. The five-movement piece sets to music texts drawn from various writings of Thelonious Monk, Anton Webern, J.A. Baker, Morton Feldman and John Cage, and then re-assembled into poems by Fred Thomas.

Founded in 2014 by violinist Phillip Granell, Phaedra has evolved from its inception as a string quartet to a larger collective of like-minded performers, drawn from London’s diverse musical landscape. 

2023 sees the culmination of their collaboration with the extraordinary vocalist/composer Meredith Monk, with the forthcoming release of their debut album featuring the first recording of her only string quartet Stringsongs plus two works for larger ensemble. The album will be released on ECM Records.

Previous UK performances include Kings Place, The Barbican, Kammer Klang @ Cafe Oto, Royal Festival Hall & Purcell Rooms, The Royal Opera House, and internationally at  NYU Arts Center (Abu Dhabi), and La Seine Musicale (Paris). They have been broadcast and performed live on BBC Radio 3 and Resonance.fm.

Their ongoing VOX project explores the radical use of the human voice in music and performance, leading to a dozen new collaborative commissions and two concert series, featuring guest artists such as Heloise Werner (The Hermes Experiment), Neil Luck, Laura Moody and Bastard Assignments, alongside performances of Jennifer Walshe, Florent Ghys, Cassandra Miller, David Lang, and many others.

In 2017, they recreated  two albums for live strings with Mercury Award-nominated singer Susheela Raman and performed internationally with Gondrong Gunarto Gamelan (Java) and Rizwan-Muazzam Qawwals (Pakistan)

Since 2015, they have worked with multi-sensory arts collective Bittersuite, creating large-scale immersive experiences, including Held,  a home listening experience developed in response to the Covid-19 crisis.

 

 

 

 

Fred Thomas curates an ongoing series at the legendary Sands Films Studios in Rotherhithe, inviting artists he admires to play duos or small ensembles followed by informal interviews delving into their artistic practice. Featuring Elizabeth Kenny, Abel Seloaocoe, Kit Downes, Dudu Kouate, Liam Noble, The Magic Lantern, Barnaby Keen, Saied Silbak, Julia Biel, Kadialy Kouyate, Preetha Narayana, Alice Zawadzki, Maurizio Ravalico, Ewan Bleach, Laura Jurd, Rob Luft, Elina Duni and Misha Mullov-Abbado. Production by Sands Films and Olivier Stockman.

https://vimeo.com/showcase/7971315/video/432915104

https://vimeo.com/showcase/7971315/video/435932297

https://vimeo.com/showcase/7971315/video/437873097

 

https://vimeo.com/showcase/7971315/video/450892296

https://vimeo.com/showcase/7971315/video/433153160

https://vimeo.com/showcase/7971315/video/442699746

https://vimeo.com/showcase/7971315/video/437915658

https://vimeo.com/showcase/7971315/video/453405535

 

 

 

Overture No. 3 BWV 1068, Air.
Composed by J.S. Bach.

Buy J.S. Bach’s ‘Air’ from Bandcamp here

Performed, recorded and mixed by Fred Thomas 
Mastered by Peter Beckmann 
Artwork by Fred Thomas 

Violin I: viella 
Violin II: viella 
Viola: viola da gamba 
Continuo: double bass & cello

Released April 2020

 

 

Multi-instrumentalists Ruth Bruckner and Fred Thomas met in Tuscany in 2019, immediately connecting through their love of medieval music and in particular the viella. Performing on combinations of strings, recorders, prepared piano, tenor banjo and voice, their duo is dedicated to recording experiments, the Chantilly Codex, Bach, song-writing, extended techniques and free improv. Their first release is an exquisite madrigal composed by the medieval composer and theorist Paolo da Firenze.

Buy ‘Un Pellegrin Uccel” on Bandcamp here

Ruth Bruckner – recorder
Fred Thomas – tenor banjo




Fred Thomas has been collaborating with Albanian/Swiss singer Elina Duni since 2017. Their album ‘Lost Ships’ was released in ECM Records in 2020, featuring Rob Luft, Mathieu Michel. Their second album together will be released on 2023, recorded at La Buissonne Studios by Gérard de Haro.

Elina Duni – Vocals
Rob Luft – Guitar
Mathieu Michel – Flugelhorn
Fred Thomas – Piano and Drums

Born into an artistic family in Tirana, Albania, in 1981, Elina Duni made her first steps on the stage as a singer aged five, singing for National Radio and Television. In 1992, after the fall of the communist regime, she settled in Geneva, Switzerland, with her mother, where she started studying classical piano and thereafter discovered jazz.

The familiar prelude to the G major Cello Suite sounding so, so right. Thomas gives the closing Gigue an irresistible swing and finds rare depth and expression in the Allemande. There’s similar magic in Suite No. 3, Bach’s slow Sarabande heart stopping, the double and triple stopping immaculate. You hope he’ll go off and record the remaining four. A multi tracked Thomas completes the album with three Fantasias for Two Viols by Orlando Gibbons, these beautiful, spare works played with elegance and warmth. Absolutely enchanting – do investigate.” – The Arts Desk

Buy ‘JS Banjo’ from Bandcamp here

ECM artists Speake/Iverson/Thomas join forces with the extraordinary James Maddren.

Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “…Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” Iverson also has been in the critically-acclaimed Billy Hart quartet for well over a decade and occasionally performs with an elder statesman like Albert “Tootie” Heath or Ron Carter. For over 15 years Iverson’s website Do the Math has been a repository of musician-to-musician interviews and analysis, surely one reason Time Out New York selected Iverson as one of 25 essential New York jazz icons: “Perhaps NYC’s most thoughtful and passionate student of jazz tradition – the most admirable sort of artist-scholar.”

Martin Speake – alto saxophone
Ethan Iverson – piano
James Maddren – drums
Fred Thomas – double bass

Buy the album on Bandcamp

“Martin Speake is one of the most interesting and rewarding alto saxophonists now playing jazz on any continent.” Thomas Conrad – Jazz Times

“Speake is a strikingly talented improviser with a seemingly bottomless well of inspiration.” Encyclopedia of Popular Music

“Speake’s playing can be as enigmatic as his writing. The lyricism and subtlety of both his written and improvised melodies sometimes unfold so gradually that one needs to take a mental step back to absorb it all” John Kelman, All About Jazz

 

Alice Zawadzki – vocals, violin, piano

Misha Mullov-Abbado – double bass

Fred Thomas – piano, drums, strings

Inhabiting their own stylistic realm encompassing mediterranean folk song, chamber music, improvisation and the world of acoustic jazz, this trio comprises the award-winning singer, multi-instrumentalist and song-writer Alice Zawadzki, joined by two of London’s most distinguished musicians, Fred Thomas and Misha Mullov-Abbado. The clear synergy harnessed by these three musicians is the result of almost a decade’s work together, drawing upon the successes and singular abilities of its members: multi-instrumentalist, producer and composer Fred Thomas, whose recent exceptional album for ECM Records received 5 stars from Gramophone Magazine, Misha Mullov-Abbado, whose stature as bassist and composer has garnered commissions from the BBC Concert Orchestra, and Alice Zawadzki, described by The Guardian as “a genuine original”. The group plays acoustic chamber music, guided by a special emphasis on intimacy, delicacy of sound, space and subtle interaction, qualities which have led them to ECM Records, whose founder Manfred Eicher produced their forthcoming debut album in Lugano in 2023.

 

 

Alice Zawadzki is a vocalist, violinist, songwriter and composer based in London. Her work as soloist and collaborator has seen her gain considerable repute as “a force to be reckoned with” (CLASH) and a distinctive presence on the European music scene. Alice’s striking ability to transcend genres whilst retaining her own expressive musical style gives her a unique accessibility. A rich musical background and “whimsical hyper-creativity” (MOJO Magazine) create a sound which draws upon her early exposure to jazz, her classical training as a violinist, and a continuous exploration of improvisation, poetry, and folk music from diverse traditions, “all propelled in a voice of velvet suppleness and gutsy emotional power” (The Arts Desk). Her 2019 release, ‘Within You Is A World Of Spring’, was met with vigorous critical praise, including ‘Contemporary Album of the Month’ (The Guardian) and ‘Top 20 Albums of 2019’ (Jazzwise Magazine). 2023 opened with Alice’s bewitching new piece, ‘Bag Of Bones’, commissioned by the cutting-edge Manchester Collective. Performances included major venues such as the Wigmore Hall, Royal Albert Hall, Southbank Centre, Ronnie Scott’s, Taipei International Jazz Festival, Sűdtirol Jazz Festival, Ottawa Chamber Music Festival, Musicá Impopular and Usina Del Arte. – “A cornucopia of delights” – Jazzwise Magazine

Misha Mullov-Abbado is an in-demand bass player, composer and arranger based in London. A BBC New Generation Artist, he has released three albums on Edition Records; ‘Dream Circus’, ‘Cross-Platform Interchange’ and ‘New Ansonia’, all extremely well-received across Europe and the latter of which was included in “Best Jazz Albums of 2015” by The Telegraph and BBC Radio 3. Winner of the 2014 Dankworth Prize for jazz composition, Misha is an experienced composer and writes for jazz groups, classical soloists and ensembles. In 2019 Matthew Barley and the BBC Concert Orchestra gave the world premiere of Misha’s cello concerto at the Queen Elizabeth Hall as part of the EFG London Jazz Festival and commissioned by BBC Radio 3. After graduating from Cambridge, where he studied music and composition, Misha studied double bass at the Royal Academy of Music. He has been commissioned by a variety of musicians and ensembles such as Viktoria Mullova, the Norfolk & Norwich Festival, LSSO, Hill Quartet, Pelleas Ensemble, Hermes Experiment and North Sea Ensemble. He co-directs the Patchwork Jazz Orchestra, an exciting young big band and winner of the 2015 Peter Whittingham Award. – “Both his composing talents and his propulsive bass-playing are currently such hot UK jazz news” – The Guardian

Fred Thomas is an ECM artist and one of London’s most sought after multi-instrumentalists and composer/arranger/producers, known for his breadth of musical styles as well as for specialising in creative re-interpretations of J.S. Bach. He has appeared all over the world, performing in venues such as Berlin Philarmonic, Amsterdam Concertgebouw and Wiener Konzerthaus. Described as “a revelation” (Apple Music), “mesmerising” (BBC Music Magazine) and “a world of soulful dreaming that enraptures with its poetic images” (Das Bach Magazin), his debut on the ECM New Series label was “Three or One”, 24 pieces by Bach transcribed for trio and solo piano by Thomas himself. Of British and Argentinian background, he has collaborated with a huge variety of artists including Brian Eno, Yo-Yo Ma, Pierre-Laurent Aimard, Jordi Savall, Rachel Podger, Meredith Monk, Lianne Le Havas, Ethan Iverson, Larry Grenadier and Kees Boeke. With a discography of over fifty albums, his arrangements and transcriptions are published by Edition Wilhelm Hansen and he works regularly as Musical Director at Shakespeare’s Globe. As a producer, Thomas has overseen albums for labels such as Warner Classics and his recent compositions were performed internationally and at the Royal Opera House. – A boundary-blurring composer and improviser” – Gramophone Magazine

https://www.alicezmusic.com

https://mishamullovabbado.com

www.fred-thomas.co.uk

 

 

 

 

 

 

4 Stars **** Jazzwise Magazine.

Dick Wag – a Tribute to Richard Wagner’ is a new jazz trio dedicated to the notorious German composer, despised and idolised in equal measure. Comprised of the most unlikely collaborators, this tribute band attempts to reconcile itself to opera’s most depraved, politically divisive and love-hated little man. With huge dramatic scenes boiled down to discreet miniatures, each expressed on a single piece of paper and treated like found objects as a jazz musician might, the resulting improvisations teeter surreally between the playful lyricism of swing and the abstraction of modernist prepared piano grooves.

Composer and multi-instrumentalist Fred Thomas has masterminded these respectfully profane interpretations of Wagner’s sublime, bombastic, time-stopping, sexually suggestive and earth-shatteringly beautiful creations by assembling a seemingly dysfunctional trio of motley talents. Prepared piano legend Benoît Delbecq’s child-like and profoundly vocal outbursts miraculously synthesise with Ewan Bleach’s unparalleled sense of melody and tone, glued together by Fred Thomas’ foundational bass playing. Deadly serious and and deadly silly, ’Dick Wag’ serves up chunks hacked off masterpieces such as Tristan and Isolde, transforming them into grotesque parodies of Teutonic pomp, luscious jazz ballads, jingoistic marches and Ellingtonian jungle grooves. And if you listen closely, just audible between the cracks of these affectionate caricatures, is the unmistakable sound of Richard Wagner turning in his grave.

“Jazz listeners will be happy to hear that you don’t have to like Wagner to like Dick Wag but ironically it actually might be a good entry point…..an affectionate parody” – Jazzwise Magazine

“Transformation is the word! Unlike the case of the straight-forward transcription of Wagner´s music undertaken by the Uri Caine Ensemble, the Dick Wag Trio explores it in search of new paths towards an unknown musical space…This throbbing sonority acts a musical trough in which Wagner’s material is first drained and then reassembled as a constellation of darkness and light permeated by a movingly sensitive touch of humour – a kind of ironic new age minimalism viewed through the eyes of Debussy and, as always, Ellington.

I left the Vortex as satisfied as I do after a good performance in Bayreuth, with some of the most original paraphrasing of Wagnerian tunes I ever heard ringing in my ears” – MundoClasico

Richard Wagner has met his musical match in the person of the present-day Fred Thomas, an astonishingly versatile composer, arranger and producer…This is someone with a strong instinct to make new things happen in a brilliantly individual way…..a master of many instruments. – London JazzNews

Fred Thomas – double bass and arrangements
Ewan Bleach – reeds
Benoît Delbecq – (prepared) piano

Recorded at Alice’s Loft Studios, London, December 2017
Engineered and mixed by Alex Bonney
Mastered by Peter Beckmann
Artwork by Peter Beatty
Produced by Fred Thomas

Released by Babel Label

Read London Jazz News on this project:

Fred Thomas (new album with Benoît Delbecq and Ewan Bleach: ‘Dick Wag – A Tribute to Richard Wagner’)

https://vimeo.com/showcase/7971315/video/437873097

Monk Spent Youth is a celebration of the music, the life and the spirit of Thelonious Monk. The original line up formed in 2014 and released their debut recording, “Monk Spent Youth”, in 2019. Buy/Stream on Bandcamp.

 

 

Zac Gvirtzman – piano, bass clarinet, organ, toy piano
Ben Davis – cello
Fred Thomas – drums, bass, prepared piano

Produced by Zac Gvirtzman

Recorded, mixed and mastered by Alex Bonney
Artwork by Jim Glover
Design by Harry Yeatman

 

Bittersuite are a company exploring how to re-imagine the classical concert through the senses.

 

 

They have developed two original concerts – one for Debussy’s String Quartet in G and one for an original commission with composer, Tanya Auclair. At their core they are about collaboration, experimentation and playing with the senses as a way to enhance the experience of listening to music.


Their concerts to date have been one-to-one experiences. A performer blindfolds an audience member and leads them through a powerful sensory experience, in which gourmet tastes, bespoke scents, choreographed touch and movement have been carefully designed to enhance and lie in harmony with the music.

 

Bittersuite commissioned Fred Thomas to write a piece for String Quartet and Percussion in 2017 for their program “Tapestries”.

 

 

 

Complex counterpoint – the combination of multiple independent melodies into a single harmonic texture – has been noticeably under-explored in jazz. This project explores improvised, spontaneous counterpoint, seeking inspiration from one of the richest resources in all of Western music history: Baroque polyphony.

Transplanting polyphonic schemes (derived from J.S. Bach) to the most classic jazz standards illuminates an un-trodden path to this fundamental songbook repertoire, one in which the culture of consecutive solos is wholly renounced. This quintet of team players synthesise polyphony and improvisation in their approach to the jazz tradition. Immersed in a liquid texture two hundred years older than the birth of jazz, these astonishingly malleable songs are heard afresh as intertwining melodies coalescing into a harmonious whole. 

 

Fred Thomas (ECM, Brian Eno) – double bass
Martin Speake (ECM, Paul Motian) – alto saxophone
Mick Foster (Cleo Lain, LPO) – baritone saxophone
Phil Stevenson (Fofoulah, Iness Mezel) – electric guitar
Phelan Burgoyne (Dave Holland, Kenny Wheeler) – drums

 

Album coming soon.