‘Dick-Wag: a Tribute to Richard Wagner’ is a new jazz trio dedicated to a notorious German composer many idolise and more despise. Comprised of the most unlikely collaborators, this tribute band attempts to reconcile itself to opera’s most depraved, politically divisive and love-hated little man. With huge dramatic scenes boiled down to discreet miniatures, each expressed on a single piece of paper and treated like found objects as a jazz musician might, the resulting improvisations teeter surreally between the playful lyricism of swing, the abstraction of modernist prepared piano grooves, and the bombast of the opera stage.
Composer and multi-instrumentalist Fred Thomas has masterminded these profane yet respectful interpretations of Wagner’s sublime, time-stopping, sexually suggestive and earth-shatteringly beautiful creations by assembling a seemingly dysfunctional trio of motley talents. Prepared piano legend Benoît Delbecq’s child-like and profoundly vocal outbursts miraculously synthesise with Ewan Bleach’s unparalleled sense of melody and tone, glued together by Fred Thomas’ foundational bass playing. Silly and serious in equal measure, ’Dick Wag’ serves up mercilessly blooded chunks hacked off masterpieces such as Tristan and Isolde, transforming them into grotesque parodies of Teutonic pomp, luscious jazz ballads, jingoistic marches and Ellingtonian jungle grooves. And if you listen closely, just audible between the cracks of these affectionate caricatures, is the unmistakable sound of Richard Wagner turning in his grave.
Benoît Delbecq – prepared piano
Ewan Bleach – reeds
Fred Thomas – double bass