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Fred Thomas works regularly as Musical Director with Shakespeare’s Globe. He was MD for the Globe’s worldwide tour of ‘Two Gentlemen of Verona’ in 2016, as well as ‘The Merry Wives of Windsor’, ‘Twelfth Night’ & ‘Titus Andronicus’. Other productions include the National Theatre’s “Pericles’ and the Globe’s ‘After Edward’. Fred has collaborated with, amongst others, Emma Rice, Michelle Terry, Nina Steiger, Nick Bagnall, Jude Christian and James Fortune.

“Launce is a particular delight, especially in her interactions with multi-instrumentalist Fred Thomas who she claims as her dog Crab” inthecheapseats.co.uk

 

 

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Bittersuite are a company exploring how to re-imagine the classical concert through the senses.

 

 

They have developed two original concerts – one for Debussy’s String Quartet in G and one for an original commission with composer, Tanya Auclair. At their core they are about collaboration, experimentation and playing with the senses as a way to enhance the experience of listening to music.


Their concerts to date have been one-to-one experiences. A performer blindfolds an audience member and leads them through a powerful sensory experience, in which gourmet tastes, bespoke scents, choreographed touch and movement have been carefully designed to enhance and lie in harmony with the music.

 

Bittersuite commissioned Fred Thomas to write a piece for String Quartet and Percussion in 2017 for their program “Tapestries”.

 

 

 

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Complex counterpoint – the combination of multiple independent melodies into a single harmonic texture – has been noticeably under-explored in jazz. This project explores improvised, spontaneous counterpoint, seeking inspiration from one of the richest resources in all of Western music history: Baroque polyphony.

Transplanting polyphonic schemes (derived from J.S. Bach) to the most classic jazz standards illuminates an un-trodden path to this fundamental songbook repertoire, one in which the culture of consecutive solos is wholly renounced. This quintet of team players synthesise polyphony and improvisation in their approach to the jazz tradition. Immersed in a liquid texture two hundred years older than the birth of jazz, these astonishingly malleable songs are heard afresh as intertwining melodies coalescing into a harmonious whole. 

 

Fred Thomas (ECM, Brian Eno) – double bass
Martin Speake (ECM, Paul Motian) – alto saxophone
Mick Foster (Cleo Lain, LPO) – baritone saxophone
Phil Stevenson (Fofoulah, Iness Mezel) – electric guitar
Phelan Burgoyne (Dave Holland, Kenny Wheeler) – drums

 

Album coming soon.