“A revelation” Apple Music “Utterly beguiles” BBC Music Magazine
Here is Johann Sebastian Bach in transfigured light: with organ chorale preludes, vocal cantata movements and orchestral sinfonias – 24 pieces in all – transcribed for trio and solo piano by Fred Thomas, and threaded into a compelling new sequence by Manfred Eicher.
On Three Or One, Bach’s idiom is respectfully explored by three innovative players, a process Thomas describes as “quietly joyful,” and the trio pieces, primarily drawn from Bach’s Orgelbüchlein, acquire a fresh character in the hands of Kazakh violinist Aisha Orazbayeva and British cellist Lucy Railton, musicians more often associated with contemporary composition’s cutting edge.
Fred Thomas, who makes his ECM New Series debut here, has always worked across contexts and genres, and considers the trio’s wide-ranging experience “an incitement to creativity. Bach often re-used his own material and it is no surprise it came out differently each time. With his imaginative, technical and improvisatory powers, do we really believe that Bach would play the same thing the same way twice?” It’s a good question, and the key to the approach taken on Three Or One. www.ecm.lnk.to/ThreeOrOne
Executive producer: Manfred Eicher
Transcriptions by Fred Thomas, published by Edition Wilhelm Hansen and available to buy here.
Video playlist of Fred Thomas discussing ‘Three or One’:
“Mesmerizing…utterly beguiles…an illuminating if idiosyncratic Bachian” BBC Music Magazine
“Lyrical and haunting….very much like nothing anyone has heard before” All Music
“Let this programme sink in over several hearings and the music will quietly insinuate itself into your next playlist” Gramophone
“One of the most transportive albums of the year” Between Sound and Space
“A Bach record to be remembered” RTBF Belgium
“Fred Thomas is an astonishingly fine musician…highly effective, and deeply affecting” The Arts Desk
“Magnificent sonorities and meticulous transcriptions from Fred Thomas” France Musique
“Fred Thomas transfigures the master…interpreted with nuance and extreme sensitivity” FIP Radio
“There is something purifying about their simple beauty. With historical performance knowledge, musical sensitivity, while paying attention to the theological content, he carefully reorganized them with a multitude of different compositional techniques…subtly executed interpretations…stimulating transcriptions” Wolfgang Sandner, Frankfurter Allgemeine Zeitung
“Thomas’ ECM debut sees him elegantly arrange and reinvent a series of Bach sinfonias, vocal cantata and organ preludes” The Guardian
“Immaculately conceived” Mitteldeutscher Rundfunk
“Wonderfully musical, sensitively communicative” Fono Forum
“Those led by their emotional response will be touched by Bach’s calm and grace. Church music becomes chamber music” Stern
“Magnificently performed…Thomas manages to play Bach perfectly, or better still intimately…lively, current, eclectic, contemporary…A precious recording” Giornale della Musica
“Be prepared for something different from what you can possibly imagine” Yellow Box
“This is a beautiful album that is flawless in its conception and execution and plunges the listener into Bach’s world with a fresh perspective and set of ears. Essential listening” JazzViews
“Thomas has shown himself to be both fearless and deferential in his interpretations. He remains faithful to the source, radical in execution but beholden to the intention…an easy, joyful listen” Stereophile *****
“Thomas’s solo flights are memorable…the three engage deeply with Bach’s material and execute it with the majesty, respect, and affection it deserves. The impression ultimately left is of musicians luxuriating in the splendour of the magnificent material they’re playing and savouring every moment of their real-time interactions” Textura
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