Kees Boeke and Fred Thomas play French and Italian medieval duos from the Modena & Squarcialupi Codices, as well as the music of Paolo da Firenze, Matteo da Perugia, Giovanni da Cascia, Ciconia, Francesco Landini, Lorenzo Masini and Guillaume de Machaut.

Kees Boeke – recorders
Fred Thomas – vielle

Kees Boeke is an internationally acclaimed artist in the field of early music, specialising in recorders and medieval fiddle both as a performer, teacher and director. He has recorded over 80 CDs with various labels including his own record label, Olive Music, founded in 2001. He has been published as a composer and editor of renaissance and medieval music (Zen-On, Schott, Donemus, Olive Music Editions).

His activities in the realm of medieval music began as a member of Kees Otten’s ensemble Syntagma Musicum in the mid 1970’s, continuing with the renowned ensembles Quadro Hotteterre (1968), Sour Cream (1972), and later Little Consort Amsterdam (1978) and Mala Punica (1989). In 2003 he founded his medieval ensemble Tetraktys.

Professor at the Institut fur Alte Music in Trossingen, Germany, Kees Boeke became Director of the Medieval/Renaissance program there. He was also professor at the Hochschule für Musik und Theater in Zurich for 25 years. Presently, he is in his seventh year as director of the medieval summer course Settimana musicale del Trecento in Arezzo, Italy. He regularly gives master classes all over the world including Amsterdam, The Hague, Tokyo, Seoul, Taiwan, Tel Aviv, Palermo and Innsbruck. Kees has lived in Toscana for over 40 years, where he makes organic olive oil. www.o-livemusic.com

Fred Thomas – double bass
Liam Noble – piano
Gerry Hemmingway / Dudu Kouate – percussion

The EP features Phaedra Ensemble string quartet, Maurizio Ravalico (percussion), Jill Feldman (voice) and Fred Thomas on prepared piano. The five-movement piece sets to music texts drawn from various writings of Thelonious Monk, Anton Webern, J.A. Baker, Morton Feldman and John Cage, and then re-assembled into poems by Fred Thomas.

Fred Thomas curates an ongoing series at the legendary Sands Films Studios in Rotherhithe, inviting artists he admires to play duos or small ensembles followed by informal interviews delving into their artistic practice. Featuring Elizabeth Kenny, Abel Selaocoe, Kit Downes, Dudu Kouate, Gerry Hemmingway, Liam Noble, The Magic Lantern, Barnaby Keen, Saied Silbak, Julia Biel, Kadialy Kouyate, Preetha Narayana, Alice Zawadzki, Maurizio Ravalico, Ewan Bleach, Laura Jurd, Rob Luft, Elina Duni and Misha Mullov-Abbado. Production by Sands Films and Olivier Stockman.

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As a fundamental part of his practice, Fred Thomas plays ancient bowed strings instruments such as the viella and viola da gamba, as well as double bass, electric bass, guitar, cavaco and tenor banjo.

Inhabiting their own stylistic realm encompassing mediterranean folk song, chamber music, improvisation and the world of acoustic jazz, this trio comprises the award-winning singer, multi-instrumentalist and song-writer Alice Zawadzki, joined by two of London’s most distinguished musicians, Fred Thomas and Misha Mullov-Abbado. The clear synergy harnessed by these three musicians is the result of almost a decade’s work together, drawing upon the successes and singular abilities of its members: multi-instrumentalist, producer and composer Fred Thomas, whose recent exceptional album for ECM Records received 5 stars from Gramophone Magazine, Misha Mullov-Abbado, whose stature as bassist and composer has garnered commissions from the BBC Concert Orchestra, and Alice Zawadzki, described by The Guardian as “a genuine original”. The group plays acoustic chamber music, guided by a special emphasis on intimacy, delicacy of sound, space and subtle interaction, qualities which have led them to ECM Records, whose founder Manfred Eicher produced their debut album ‘Za Górami’ in Lugano in 2023.

Album Liner Notes:

Za Górami (Behind the Mountains) is much more than a geographical place, though the cautionary tale of the young Maɫgorzatka certainly paints the Polish Carpathians vividly. An ancient rallying cry, this cryptic phrase summons something transcendental, reminiscent of ’Once upon a time…’ It’s in this spirit of openness that the ten stories of our album Za Górami unfold.

Collected on our travels and taught to us by our friends, these are songs we have learnt and loved together. Though our musical and cultural backgrounds encompass Europe, Russia and South America, we were all three born in England. This happenstance was the product of love, war, exile, the arbitrariness of borders and the yearning for a new life – all themes which are themselves woven through the narratives you’ll hear within. Gathered from Argentina, France, Venezuela, Poland and the deep well of Sephardic culture, these folk tales speak to the moon, the mountains, the rain, the madness of humans and the prophecies of birds.

Our trio relies on the intimacy of deep listening and a trust in our long-standing friendship. The discovery of what each song wanted to be was a patient process of contemplation, omission and distillation of ideas, animated by the flexibility of our instrumentation: voice, piano, double bass, violin, vielle and percussion. Za Górami was recorded behind the mountains of the Lugano Alps, under the nurturing guidance of Manfred Eicher. In a concert hall whose unique acoustic encourages delicacy of sound and space, we strived to be both free and controlled, to tread softly and to summon the night.

Alice Zawadzki, Fred Thomas, Misha Mullov-Abbado